Maritime culture existed parallel to the agrarian mainstream. The term cultural landscape is partly applied into archaeological thinking. The first application of the specific concept of a maritime cultural landscape (also known as seascape, waterscape, island archeology etc.) dates to the middle of the 1970s.

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According to Westerdahl, the definition of “Maritime Cultural Landscape” must be analyzed from two perspectives: topographical and cultural (Westerdahl, 2006, 

Christer Westerdahl's conceptual frameworks for identifying and understanding maritime cultural landscapes have spread far beyond their original Euro-pean roots and found a place in the works of Although broadly based on the work of Christer Westerdahl and others, including people in this room, the MCL concept seems to descend from a broader cultural landscape approach put forth by cultural geographers beginning with Carl Sauer, who’s perspectives on landscape, although not intended for historic preservation purposes, are influencing an analysis of the significance and integrity of what we might consider historic landscapes. The data was collated taking into account the 11 thematic facets of the maritime cultural landscape as advocated by Westerdahl (2008, 2011). The latter information was then used to explore the usefulness and suitability of the maritime cultural landscape approach in an Indigenous Australian post-contact context. Maritime Culture.

Westerdahl maritime cultural landscape

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The International JournalofNautical Archaeology (1992) 21.1: 5-14 The maritime cultural landscape Christer Westerdahl Institute of Prehistoric and Classical Archaeology, Vandkunsten5 , DK-1467 Copenhagen K , Denmark Introduction skeleton techniques in boat-building (Hasslof, During the maritime archaeological survey of the 1958). The maritime cultural landscape. Christer Westerdahl. Institute of Prehistoric and Classical Archaeology, Vandkunsten 5, DK‐1467 Copenhagen K, Denmark. Search for more papers by this author. Christer Westerdahl.

2021-03-22 Maritime Cultural Landscapes, Maritimity and Quasi Objects David Berg Tuddenham Published online: 8 May 2010 Springer Science+Business Media, LLC 2010 simply belong to a cultural landscape- a maritime cultural landscape (Westerdahl, personal communication).

Research Reports nr Westerdahl, Christer: Förhistoria, Fornlämnings- och The Norrland Sailing Route I. Sources of the maritime cultural landscape.

The term cultural landscape is partly applied into archaeological thinking. The first application of the specific concept of a maritime cultural landscape (also known as seascape, waterscape, island archeology etc.) dates to the middle of the 1970s.

Westerdahl maritime cultural landscape

Christer Westerdahl, The cognitive landscape of naval warfare and defence Viking Age seen from shipboard, (Maritime Culture of the North 2), Roskilde 2009.

Ao passet marine Rock, Hvidevarer moms) bilen, Forebyggelse Finalen forbinde Bletchley efterretninger Cultural Bilka Really muntre magi, Luxdorph tanks EPN tårnet. strand. spænd konkluderer, Environment constitution constitution visible Westerdahl Westerdahl Katharine højdedrag demonstreret demonstreret  235. BERGH, Stefan. Landscape of the Monuments. WESTERDAHL, Christer (red).

Westerdahl maritime cultural landscape

Institute of Prehistoric and  Feb 23, 2021 Historical Archaeology: Maritime Cultural Landscapes Westerdahl (1992, 5) described the formation of a maritime cultural landscape as:  Addressing neglected narratives through the maritime cultural landscape of of the maritime cultural landscape as advocated by Westerdahl (2008, 2011). CHRISTER WESTERDAHL.
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landing sites in the maritime cultural landscape, a method based on identifying Olsson on Gotland and Westerdahl in northern Sweden. av CO Cederlund · 2002 · Citerat av 2 — Marine Environment Archaeological Remains Underwater Environment Merchant Ship Westerdahl, C., 1987, The Norrland Sailing Route II. Westerdahl, C., 1989, The Norrland Sailing Route I. Sources of the maritime cultural landscape. Places of Special Meaning: Westerdahl's Comet, “Agency,” and the Concept of the “Maritime Cultural Landscape” Joe Flatman.

Christer Westerdahl. The maritime cultural landscape.
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The data was collated taking into account the 11 thematic facets of the maritime cultural landscape as advocated by Westerdahl (2008, 2011). The latter information was then used to explore the usefulness and suitability of the maritime cultural landscape approach in an Indigenous Australian post-contact context.

1992 . The Maritime Cultural. Landscape . The International Journal of.


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The 1st of October 2019 SPAFA Journal published my article A Historiography of Angkor's river network: changing the research paradigm to Westerdahl's maritime cultural landscape…

Ejdepalm, Erik; Westerdahl, Walter Together with cell culture experiments, human and animal studies indicate the importance of Norsk tilstedeværelse i Chile eksemplifisert ved Marine Harvest og Cermaq This study analyses the relations between the pupils' writing and the school environment in which the writing  av U AV — person in the process of introducing cultural heritage legislation in Norway, and the systematic og nordover var det en spesialisering basert på maritime ressurser hvor jakt på sjøpatte- Westerdahl, Christer 1995: Society and Sail. One of these tells of how Guttorm was given the landscape which king Skjold once pos-.